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| Lluis Barbadillo | | The union of all human beings flying towards the future. |
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I Have a Dream: International Tribute Exhibition to Dr. Martin Luther King, Jr. at Atlanta’s Martin Luther King, Jr. National Historic Site May 21—July 19, 2009
(Atlanta, GA— May 18, 2009) The Martin Luther King, Jr. National Historic Site this week opens the art exhibit, "I Have a Dream: International Tribute Exhibition to Dr. Martin Luther King, Jr." Organized by the Town Council of Sitges, Spain— "the cradle of Modernism"— the exhibit runs in Atlanta—King’s birthplace and "the cradle of the Civil Rights Movement"— May 21-July 19, 2009.
Seventy artists from every continent are featured in this group exhibition, where the common theme is "the dream." The "I Have a Dream" exhibit establishes the universal relevance of Dr. King's dream for justice and human uplift proclaimed from the steps of the Abraham Lincoln Memorial 45 years ago.
The exhibit reflects the innovative spirit of the Modernist movement and is "the vision and reflection of the shared, modernized dream of different artists and thinkers," explains curator Gabi Serrano. He adds, "The complexity and diversity of an exhibit by over seventy artists is obvious, but it is also an opportunity to enjoy a venture with different visions and techniques at the service of a single goal: to bring Martin Luther King's dream up to date."
The "I Have a Dream" tribute includes:
· Thirteen representations of Dr. King's countenance,
· Nearly 20 characteristic depictions of struggle and activism,
· 8 works that breathe new life into cultural norms of gender and color (race), and
· 5 pieces conveying King’s vision through the use of avian symbols, among other works.
“The National Park Service established the Martin Luther King, Jr. National Historic Site in 1980 to illuminate Dr. King’s contributions to national and global affairs,” said Judy Forte, superintendent, Martin Luther King, Jr. National Historic Site. “In fulfilling that charge, we are proud to host the ‘I Have a Dream’ exhibit, which demonstrates the expansive impact of Dr. King’s dream for peace, justice and human rights.
Dr. King’s dream is channeled in this exhibit through the artistic expressions of: Andrew Alfaro, Enric Ansesa, Eduard Annarz Bravo, Javier Balda, José Manuel Ballester, Lluís Barbadillo, Ana Barboza, Blanca Benítez, Louise Bourgeoise, Enrique Brinkman, Isabel Castilho, Ed Clark, Elizabeth Catlett, Lluis Cera, Carmen Cicero, José Manuel Ciria, Victoria Civera, Nisa Chevenement, Willie Cole, Miguel Condé, Xavier Corbero, Marienne Dumas, Rachel B. Egenhoefer, Etoundi Essamba, Luis Feito, Ivonne Ferrer, Stanley Forman, Cristóbal Gabarrón, Roberto Galvao, Juan Genovés, Paul Goodnight, Luis Gordillo, Josep Grau-Garriga, Richard Hamilton, Mona Hatoum, Laura Iniesta, Kcho, Sharon Kopriva, Menchu Lamas, Antón Lamazares, Matt Lamb, Andrés Landin, Francisco Leiro, Lluis Lleó, Robert Llimós, Eva Lootz, Allie McGhee, Waltraud Maczassek, Maïs, Santi Moix, Antoni Muntades, Isabel Muñoz, Fernando Pagola, Charly Palmer, Perico Pastor, Antón Patiño, Carlos Pazos, Lee Pei, Howardeena Pindell, Josep Puigmartí, Martin Puryear, Manolo Quejido, Josep M Riera I Aragó, Tim + K.O.S Rollins, Benet Rossell, Amparo Sard, Charlie Sartwelle, Carme Solé, Reiko Sudo, Wingu Tingima, Josep Uclés, Juan Uslé, Vicenç Viaplana, Ernest Whithers, Kiersten Williams, and Cui Xiuwen.
The “I Have a Dream” tribute exhibition has visited New York, Michigan, and Tennessee, and will continue on to Alabama and Illinois before returning for a tour of Spain next year.
Admission is free to the exhibition located at the Martin Luther King, Jr. National Historic Site, Visitor Center, 450 Auburn Avenue, Atlanta. Exhibit hours are 9am-5pm daily (until 6pm beginning May 30).
For more information, call (404) 331-5190 or visit www.nps.gov/malu.
The Martin Luther King, Jr. National Historic Site, operated by the National Park Service, preserves and
interprets the places in Atlanta where civil rights leader Martin Luther King, Jr. was born, lived, worked,
worshiped and is buried.
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